All right, we all knew this was coming, after the ‘Stay The Night‘ rape-song post. It’s the Chicago Edition of The Case for (Phil) Collins! Now we all know that Chicago has made some cheesy music as most all of us were conscious during the 80′s (‘You’re the Inspiration’, ‘Hard Habit To Break’), and Cetera solidified his place in cheesedom, and solidified his bank account, with the Karate Kid theme song! And I’d say that most of us realize that they had to be at least somewhat cool back in the day since they have those 60′s-70′s hits that you can’t help from getting stuck in your head (‘Saturday In the Park’, ’25 or 6 to 4′).

But I think that in the ironic post-everything pop musical society that we find ourselves in now, most of us would find it easiest to write-off Chicago as pure cheese. But as a non-ironic musicologist, I set out to prove that Chicago was definitely once a band to be reckoned with. If those killer hits with the super-sheened horns weren’t enough, I dug up a killer track from Chicago’s first album, when they were still named Chicago Transit Authority. The song is ‘Liberation’, a live in-studio performance with no overdubs, and it is as much a testament to what a find rock band Chicago was, as a testament and tribute to late Chicago guitarist Terry Kath. He was certainly one of the best. So here it is, dig in…

mp3 audio: Chicago Transit Authority – Liberation CTA

And here’s your palate-cleanser, if you need the taste of Chicago removed from your ears, from a man whose cool will never be called into question, despite Tin Machine and his fascination with the Nazi party in the late 70′s… allegedly! This song is great. Thanks, Mo!

AAC audio: David Bowie – All the Madmen The Man Who Sold the World

All right, I think I’ve got our next musical scapegoat. Thanks to everyone who voted, but I felt most inspired by Matt’s suggestion for ol’ Ace Greybeard Ratboy himself…Bobby Weir.

 

Bob Weir-Ace Bob is a prime example of someone who never fully got their due, or just became known for the cheesy things they did over a massive 40-year music career. Bobby always had to take a backseat to Jerry, and it would be hard to argue that Bob was more talented than Jerry because he just wasn’t. BUT, was Bobby a necessary and captivating part of the Grateful Dead? Yes! Bobby was the palette-cleanser for Jerry songs…on the records and especially at shows. And most of the time, Bobby had some great songs that could inject a little more energy into a Dead show (…think “One More Saturday Night”). And shit, in the final years of the Dead, Bobby was just about the only member that was still playing with any kind of fire.

 

So I present to you some primo rockin’-out Bobby from his 1972 solo album, Ace, on which all of the Grateful Dead members play, oddly enough. And then there’s a jazzy Bob bonus from Kingfish’s first album in 1976. Bob was a member of the band, Kingfish on their first two albums. Both of these tunes show the power of what Bobby could bring to the table. So do yourself a favor, and hear out this case for Bob Weir

-

mp3 audio: Bob Weir – The Greatest Story Ever Told

mp3 audio: Kingfish – Lazy Lightnin’

-

-

Can-SoundtracksAnd here’s some relief for the super-cool if you just almost got sick sitting through two Dead-related songs. A little Can should pacify you…

-
AAC audio: Can – She Brings the Rain

-

-

-

All right guys. I’ve been having a hard time figuring who should be spotlighted in our next Case for Collins segment. There have been a few ideas rolling around my little mind, but nothing I was really sure would entertain you. So I’m putting the power in your qwerty hands.

That said, what if I throw out a few of the names that have been coming up and you’s all can vote on which you think would make an interesting episode? Or you can also write in your candidate. No matter which you pick, and however much muck their name has been drug through, I will guarantee to find some redeeming shining-diamond of a song to present you with, so that we can all try to eek some respect out of this artists’ recently frowned-upon repertoire.

So read on for the list of candidates that I’ve been hesitating to expose and to vote

(more…)

Takin' It To the StreetsThat’s right! From all the guilty lists that you all posted, I chose one from Dave’s to be the next Case for Collins entry today. This one just spoke to me especially since Michael McDonald has made somewhat of a comeback in popularity, although much of it seems to be for irony’s sake; unless perhaps there was a true reverence for Mr. McD’s original blue-eyed soul vocals in the Yacht Rock series, or even in the movie The 40-Year Old Virgin. Whatever the case may be, many of us NewmRadio subscribers dig us some Mike McD-era Doobie Brothers, so that’s what I gots for ya today. Orinially from the 1976 album Takin’ It To the Streets, the first album with Mr McDonald. Dig the smoooooothhhh….

The Doobie Brothers – It Keeps You Runnin’

-Black Lips-Good Bad Not Evil

And now for something completely different…

The Black Lips – Bad Kids

-

Leave your thoughts and song reviews below…

All right…coming off of that first edition of The Case for (Phil) Collins, I’ve been thinking a lot about what people consider ‘guilty pleasures’. I have a hard time using the word ‘guilty’ when it comes to appreciating music. It’s either pleasurable to you in some way or it’s not. So, I ask of you, can you present us with 5 of your guilty listening pleasures? Maybe even throw in one ‘innocent pleasure’ at the end…someone that you love to listen to that hardly anyone would argue with unless they’re a total grump-dog. So that’s six items total, after the jump…

(more…)

Well, I’ve got a new music feature here for you and as you’ve noticed it’s called “The Case for (Phil) Collins”. What I aim to do hear is showcase some great songs by artists who have become music’s whipping boys and girls due to career missteps, changes in trends, shitty later-material, lack of listener-knowledge, Disney soundtracks, inability to dress, or any other number of reasons. So leave your hipness behind and kick back to some unfairly frowned-upon jams. To help it go down better, I’ll follow it up with something indisputably kick-ass. Be sure to leave your thoughts on these selections…

Face Value How could I not start this off with a Phil Collins song? He’s the shining example of the fantastic songwriter who made the mistake of staying alive and having a super-popular solo career. Sins accused of include always tucking in shirt, khakis, baldness, Tarzan soundtrack, ‘I Can’t Dance’, and you can add more in comments if you like. But Phil’s first solo album in 1981, Face Value, is a solid bit of work. I had a hard time choosing between this song and an instrumental called ‘Hand in Hand’, but I chose this one since it’s more representative of Mr. Collins to hear him singing. I’ll play you ‘Hand in Hand’ in an upcoming edition though. So here’s ‘Behind the Lines’. Dig it (you gotta love that Phil C. drum sound!)…

Phil Collins – Behind the Lines

-Pere Ubu-On the Surface

And as a palate cleanser, I give you some refreshing wafer-thin Pere Ubu…

Pere Ubu – On the Surface

-

Leave your reviews for both songs below….

Get Adobe Flash playerPlugin by wpburn.com wordpress themes