Prepare thine self to be enveloped in the hot molten goodness that is Magma…this week on Beyond Beyond is Beyond! The epic French progressive rock band (if we had to pin them down to one genre) founded in Paris in 1969 by classically trained drummer Christian Vander, will be performing one of their only two U.S. shows this year at the Highline Ballroom on Monday, September 20th…and you could possibly go for free if you tune in to Beyond Beyond is Beyond on East Village Radio on Thursday, where I’ll be giving away a couple pairs of tickets.

Not only that, I will also be talking on the phone to Magma’s Stella Vander. So be sure to show up on time to Beyond Beyond is Beyond on East Village Radio at noon eastern, Thursday, 9/9/10!

Ummm, this is pretty wild, but I just found that hip Brooklyn blog-rag, Brooklyn Vegan, is reporting (in multiple posts) about unhip iconic progressive rock band, Yes, in a non-ironic or negative way! The posts are regarding Yes’ 40th Anniversary tour starting this June. Of course half of the comments are negative and as simple and creative in their negativity as ‘NO!’

Check out the Yes posts here and here.

Yes - Natalie Dee*awesome pic courtesy of Natalie Dee

And in a related story, you absolutely need to hear this new band that’s rockin’ with a progressive bent. They’re Bryan Scary and the Shredding Tears and their new Flight of the Knife album is amazing! Here’s a vid for you…
[youtube=http://www.youtube.com/watch?v=SJXBDRE44uw&hl=en]

And as a bonus, heres a song from that Flight of the Knife album called “Imitation of the Sky” which will disappear very soon (so listen now…and then support the band and your own good listening habits by picking up the album at Amazon!) Don’t be turned off by the fact that Perez Hilton endorses this band!

Related stories: Positive ELP Review, African Prog

I was pretty blown away when I found New York’s super-hip independent paper, the Village Voice, writing up the recently remastered and rereleased Emerson, Lake & Palmer live document, Welcome Back My Friends To The Show That Never Ends. Then I almost swallowed my eyeballs when I saw that the review was resoundingly positive! Check it out HERE.

We’re talking about what was a triple live album when it was originally released in the 70′s, which has a 27-minute long song, AND a 35-minute long song (and there’s still 7 other songs)! It is nice to see that someone has listened to the music before writing a review, in this age of albums which are super-rushed to press, and the reviews are even more rushed to print. Here are some of the quotable accolades that Phil Freeman thrusts upon these ‘bloat-tastic motherfuckers’

  • …the band’s brand of epic, classical-soaked prog was actually tight as hell
  • Simply put, Emerson, Lake & Palmer fucking rocked.
  • Revisiting this catalog 35 (!) years later, it’s amazing how little music has “progressed.” Snip 20 random seconds of Emersonian Moog-frenzy from the live album and play it for a Wolf Eyes fan—see if he can tell the difference.
  • These six studio albums and two live discs are the gateways to a world of balls-out craziness the likes of which is nowhere to be found in rock circa 2008.

Mr. Freeman ends the review with that last line which not only compliments the Welcome Back My Friends live release, but the entire rereleased catalog that our friends at Shout Factory! have done such a beautiful job at remastering and packaging. Believe me, I’ve heard them all! But if you don’t believe me, here’s a couple samples so you can hear for yourself (but listen now, for they will soon be removed)…

Welcome Back My Friends Emerson Lake & Palmer – Hoedown (Live), kicks off the album

Works, Vol. 2Emerson Lake & Palmer – Tiger In A Spotlight (from the oft-everlooked Works, Vol. 2)

So, what do you think? Are today’s music fans beginning to embrace progressive rock again. It does seem to be slipping into the rock music scene, as we’ve seen with a lot of newer indie bands. I think the one thing that most bands have to embrace about it, is it’s limitlessness. If you’re a going to be a band with staying power, you’re definitely not going to want to limit yourself to making the same album over and over, and I think that’s where the spirit of progressive rock will probably always live on. Have you been hearing any newer bands rocking the prog style lately?

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